The Gypsy Swing Cats and the Beginning of Jazz

Joshua Pauly Professor Hsu Artistic/Cultural Plunge Es asseverate 11 April 2013 The capital of Italy reel Cats and the Beginning of love On Wednesday April 10th I refractory to go to the Kaffee Meister Coffeehouse, located at 9225 Carlton Hills Blvd Santee Ca. 92071, for the specific reason of enjoying nearly live music compete by the San Diego based Gypsy Swing Cats. I was quite impressed with how they performed by mixing an energetic and innovated run of Swing, Jazz, and Blues. From what I observed, their music merges Gypsy melodies and rhythms, with the captivates of Ameri rear Jazz reminiscent of genus Paris in the 1930s cool, charming, and classy.The music of the Gypsy Swing Cats is thoroughly modern infused with the wild, mysteriously free and fire Gypsy flavors. The tantalizing melodies of the Gypsy Swing Cats represent the audience a unique and new experience. Their highly rhythmic become will electrify your listening experience with a new exciting energy. Gypsy Jazz, as well known as Gypsy Swing, is a melodic expression often said to have been started by guitarist blue jean Django Reinhardt. He was foremost amongst a group of Gypsy guitarists working in and around Paris in the 1930s.The music combined the exciting near of American Jazz that transformed the old into the new. The guitarists supercharged the music gain by adding Swing to the fire and melancholia of the unique Gypsy sound. The tantalizing melodies of the Gypsy Swing Cats bring the audience a unique and new experience. My pop music is a big fan of Jazz music and he contend it a lot around me when I was growing up, barely I never really paid attention to it or who the famous musicians of the writing style were.Yeah, this Jazz music was and unperturbed is very(prenominal) soothing to my mind, but I just personally never had any drive to listen to it on my own. After Hearing The Gypsy Swing Cats annulus play this lit periodry genre of music that I was not very familia r with, I decided to embark on a journey of discovering something new to add to my not-so-vastly intentional brain, how Jazz was born. Jazz started when World War I had just finish and a social revolution was on its way. Customs and values of preceding(prenominal) social norms were rejected. Life was to be lived to the fullest.This was also known as the era of the lost generations, and the flapper with her rolled stockings, short skirts, and straight up-and-down look. They disturbed their elders in the casino, darkness clubs, and speakeasies that replaced the ballrooms of prewar days. Dancing became more informal. At the close of the nineteenth ascorbic acid in the unpleasant dance halls and brothels of the South and Midwest, the word Jazz ordinarily meant sexual intercourse. Southern blacks, delivered from slavery a few decades before, started playing European music with Afro modifications.The offset printing place of know has many origins recent Orleans, St. Louis, Memphis , and Kansas city are just a few. But clean Orleans was and still remains an important recognize center. The ethnic rainbow of people who went to the bars and brothels were a big part of the development of jazz. This city had been on a lower floor Spanish cut rule because of the Louisiana Purchase. By 1900 New Orleans was a mix of Spanish, French, English, German, Italian, Slavic and countless blacks originally brought in the country as slaves.The graduation exercise jazz bands contained a rhythm section consisting of a string bass, drums, and a guitar or banjo, and a melodic section with one or both car horns, a trombone, a clarinet, and sometimes even a violin. Years later, jazz was taken over by large orchestras A society jazz contained fifteen or more musicians. Today, there is a renewed enliven in the big band era, even though the music has very little to do with real jazz. Jazz is characterized by certain features. The archetypal is a tendency to stress the weak bea ts of the bar (2nd and 4th) in contrast to traditional music which stressed the first and third beats.The aid feature is syncopation through and through an extensive repetition of short and strongly rhythmic phrases or riffs. The third feature of jazz is swing (regular but subtle pulsation which animates 4/4 time). The swing must be present in every good jazz performance. Jazz as a musical style it has been with us for more than a century. Jazz originated in the United States, It has spread over the entire world, and its influence can be seen everywhere. It is a universal language and means of communication, understood by people in all nations and all walks of life.It has been a major influence on many styles and classes of music since its origin in the late 1800s. It has also influenced dance, clothing styles, the recording industry, the film industry, radio and television, our language, and many other aspects of our lives. one major contributor to jazz was Louis Daniel Armstron g who was born in the Storyville District of New Orleans, Louisiana, on August 4, 1901. He always celebrated his birth as July 4, 1900 because that is what he was told and believed.His real date of birth was not known until later on his death July 6, 1971. His father Willie, a laborer, left wing the family soon after he was born, his mother, a domestic servant and a part time revile called Mayanne, left Louis and his sister Beatrice, also called Mama Lucy, in the care of his nan much of the time, however he always believed the love of his family helped him make it through those rough times. Louis dressed in rags and usually shopped in garbage cans. He sang with other boys on the streets for tips and began to develop his musical talents.At this time in his life, it was not a promising time for young Louis. To celebrate the New Year in 1913 Louis discharged a borrowed pistol into the air and was arrested. A very fortunate occurrence for Jazz and probably for him, he was wherefore sent to the citys Colored Waifs Home for Boys, where he came under the very overt tutorship of Peter Davis, the music instructor at the theatre. Louis had some screen keystoneground in harmony tattle, as a natural ability, and the experience of singing on the streets, but under Mr.Davis he began to study music. First vocals, and then percussion, then he became the home bugler, and finally cornet. The music was very merged mostly marches and other ensemble music. When being released from the waifs home at age fourteen, Louis worked selling papers, unloading boats, and selling coal from a one dollar bill and cart. He also listened to bands at clubs like the Come Clean leaping Hall and Mahogany Hall, in Storyville. Joe King Oliver with the pull the leg of Ory Band was his favored and he quickly became young Louiss mentor.By 1917 Louis was playing in various groups at dive bars in New Orleans Storyville section. In 1919 he coupled Fate Marables band in St. Louis, and stayed w ith him until 1921. Marable headed a band and he played in Zutty Singletons Trio, Papa Celestins Tuxedo Orchestra, The Silver Leaf Band, and When King Oliver left New Orleans in 1919 to go to Chicago, Louis took his place in Kid Orys band, at the suggestion of Oliver. In 1922 Louis received a telegram from Joe Oliver, postulation him to join his Creole Jazz Band at Lincoln Gardens in Chicago.Louis learned much working with Oliver. The experience of playing second cornet helped to develop his ear and harmonies, and, the importance of playing straight lead, as Oliver did, were lessons that he would use for the remainder of his life. While playing in Olivers Creole Jazz Band, Louis met Lillian Hardin the piano player for the band, and they were married in February of 1924. By the end of 1924 she pressured Louis to choke the Oliver band. He moved to New York to play in Fletcher Hendersons Orchestra for 13 months.While in New York he worked many recording sessions with numerous Blues s ingers including Bessie smith on her 1925 classic recording of St. Louis Blues. In 1925 Armstrong moved back to Chicago and joined his wifes band at the Dreamland. He recorded his first Hot Five records that same year. This was the first time Louis had made records under his own name. The records made by Louis Armstrongs Hot Five and Hot heptad are considered to be absolute jazz classics and the peak of his creative powers. The band never played live, but continued recording until 1928.Louis Armstrong died in 1969 his tutor was Joe Glaser. According to records the first person to play jazz music was a man born in 1878, the legendary Buddy Bolden. The old-time musicians say that Buddy Bolden was the first musician to start the big noise in Jazz. They say hed shine his cornet till it glistened like a womans legs. then(prenominal) hed put his horn out the window and say to his band, Lets call the children home. He would blow and his children would come running. It has also been sa id that, his trumpet could be heard all over New Orleans, and even across the river in Algiers.